{"id":2825,"date":"2011-03-07T11:54:00","date_gmt":"2011-03-07T11:54:00","guid":{"rendered":"https:\/\/test.transversalmedia.eu\/an-intersection-is-more-than-just-two-streets\/"},"modified":"2011-03-07T11:54:00","modified_gmt":"2011-03-07T11:54:00","slug":"an-intersection-is-more-than-just-two-streets","status":"publish","type":"post","link":"https:\/\/theresearchpapers.org\/archive\/an-intersection-is-more-than-just-two-streets\/","title":{"rendered":"An intersection is more than just two streets crossing"},"content":{"rendered":"

I am kind of disappointed in the coverage of Galliano\u2019s last collection for Dior. Mostly because it seems to be a big missed opportunity in terms of discussing fashion and more importantly, the beauty standards imposed by the fashion industry.<\/p>\n

Here\u2019s what I see in this whole affair: Galliano\u2019s disgusting anti semitism, racism and drunk vindication of Hitler and the Holocaust, has<\/em> to have a correlation in his overall aesthetic. Racism and prejudice do not happen in a vacuum, they translate into concrete actions and choices in every day life. Galliano didn\u2019t just express his support for a tyrant that caused the mass murder and tourture of six million people. He also expressed, by transitive ideological property, his admiration for a regime that promoted a certain body type, a certain physiognomy, a certain consequence for those who did not adhere to these ideals of race and beauty. In a runway that systematically leaves those who are not White, very slim and blond outside the mainstream, Galliano defined, I suspect unintentionally, an aesthetic that runs rampant in the fashion world: the erasure of those who look different.\u00a0<\/p>\n

Galliano is now the festering wound in the industry of beautification. He is the one who spoke the unspeakable. But it seems we haven\u2019t been paying enough attention to what he has been saying, through his work, all these years. His collections, and in general with a few noble exceptions, all fashion collections, have no room for the differently bodied, for non Whites, for those that deviate from very narrowly defined standards. The only few \u201cfat\u201d people we ever see in runways are tokenized, almost like a caricature of \u201cfatness\u201d, only to be presented as the Other in a sea of approved bodies. We hardly ever (I would say NEVER, but perhaps I would be proven wrong) see any disabled bodies, any bodies that might look different than the approved \u201ccoat hangers\u201d the fashion industry utilizes regularly. The history of contemporary fashion is troubled and problematic in ways we hardly hear about. As the Daily Mail<\/a> (of all places!) points out in an article today:<\/p>\n

\n

Fashion needs to look to its own history of collaboration. Dior dressed the wives of Nazis, Hugo Boss was in the Nazi party. Dior\u2019s niece married the British National Socialist Movement leader.<\/p>\n<\/blockquote>\n

Galliano\u2019s outburst is not gratuitous. I contend it\u2019s a symptom of something that is much more insidious and pervasive than the rants of a pathetic drunk. However, discussing the ubiquitous ideals of beauty supported by the entire fashion industry (which obviously have to come from somewhere, which obviously weren\u2019t created in isolation from fashion\u2019s own history) would be much more painful and would require some deep and sincere reflection. I reckon many would prefer to point at the drunk and let him be the subject of social condemnation (which he undoubtedly deserves), rather than look at fashion\u2019s own backyard and take the poisonous weed from its root.<\/p>\n","protected":false},"excerpt":{"rendered":"

I am kind of disappointed in the coverage of Galliano\u2019s last collection for Dior. Mostly because it seems to be a big missed opportunity in terms of discussing fashion and more importantly, the beauty standards imposed by the fashion industry. Here\u2019s what I see in this whole affair: Galliano\u2019s disgusting anti semitism, racism and drunk …<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"loftocean_post_format_gallery":"","loftocean_post_format_gallery_ids":"","loftocean_post_format_gallery_urls":"","loftocean_post_format_video_id":0,"loftocean_post_format_video_url":"","loftocean_post_format_video_type":"","loftocean_post_format_video":"","loftocean_post_format_audio_type":"","loftocean_post_format_audio_url":"","loftocean_post_format_audio_id":0,"loftocean_post_format_audio":"","loftocean-featured-post":"","loftocean-like-count":0,"loftocean-view-count":831,"loftocean_coauthors":"","alpaca_post_content_reading_setting":"","alpaca_reading_speed_per_minute":0,"alpaca_reading_speed_unit":"","alpaca_single_post_template_layout":"","footnotes":""},"categories":[1],"tags":[171,266,59,1179,40,2324],"class_list":["post-2825","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-anti-semitism","tag-beauty-standards","tag-fashion","tag-john-galliano","tag-racism","tag-xenophobia"],"yoast_head":"\nAn intersection is more than just two streets crossing - The Research Papers<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/theresearchpapers.org\/archive\/an-intersection-is-more-than-just-two-streets\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"An intersection is more than just two streets crossing - The Research Papers\" \/>\n<meta property=\"og:description\" content=\"I am kind of disappointed in the coverage of Galliano\u2019s last collection for Dior. 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