A dual video series staged as recursive refusal.
One turns inward: an affective inventory of domestic remains.
The other drifts outward: rituals in transit, displaced and disoriented.
Together they form a liturgical architecture: anti-documentary, anti-curatorial, anti-optimized.
Episodes are neither narrative nor essay; they are hauntings.
They mourn through drawer and subtitle, through sonic dissonance and spatial errancy.
They do not resolve. They recur.
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A full conceptual manuscript accompanies The Dyad: a research text detailing its liturgical architecture, sonic hauntology, subtitle theory, and the genealogies of affective logistics that bind drawer to drone, domestic to military, latency to refusal. It is not available for direct download. This manuscript, along with further auxiliary texts and fragmentary studies for each part of the dyad, can be requested through the reliquary dispatches.